Selected Art for Exhibition and Purchase

"Fine draftsmanship is the essential element in all of Turner’s work. His use of line varies from the incredible delicacy of silverpoint to the bold blacks of woodcut and the slashing brushstrokes of large scale paintings".  Dr. Thomas W. Leavitt

"Mr. Turner deals with tragedy in the classic sense: his defeated bulls, horses and men are noble creatures inexorably forced down by a savage fate, sometimes in the form of predatory birds and, alas, sometimes by women".
"Turner Fulfills Promise" Margaret Fish


View in a Jungle
1959 Woodcut
9in x 12in


       
"his intaglios are rich in variety, sometimes strong and direct as in the engravings, sometimes extremely subtle as in the aquatints, always mystical whether his forms are clearly defined or involved and complex"
1961 Pasadena Art Museum Bulletin November


One,May,Sixty One
1961, Engraving
9in. x 12in. Ed.75


  
"His color use is bold and uninhibited, but always done with a feeling for combination that does not allow him to use unpleasant hue juxtapositions. In passing, all too many painters and theoreticians mistake color discords for signs of strength; not Turner" 
“Show in Three Parts” by Joan Bucklew


Red, Black & Blue
1982, acrylic on canvas,
40in x 30in

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"Whether Turner draws a cat, a bird or a human being - whether in realism or abstraction, the result is never a mere illustration. It is a thoughtful, intellectual elucidation of his aesthetic experience".
“Don Turner Works Show Penetrating Insight” by Frode N. Dann


The Falcon
1978,Gold & Silverpoint, Fabric, Casein ,
48" x 36"



"Though the technical prowess is impressive in all Turner’s methods, it is his penetrating insight into the psychological aspect of his subject matter and his aesthetic concept that give him special distinction."
“Don Turner Works Show Penetrating Insight” by Frode N. Dann


Picasso 
1982, Watercolor
13" x 19"


"His drawings, particularly the metalpoints, reveal yet another dimension, the building up of images with delicate little lines, building up masses, creating shadows, stretching out a linear phrase".
Beloit Daily News November 1961


The Mantle
1979, Metalpoint,
48"x36"

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